Alessandro JEDLOWSKI

Alessandro Jedlowski

Fonction

Chercheur.e.s et enseignant.e.s-chercheur.e.s permanent.e.s Maître de conférences

Affiliation

Sciences Po Bordeaux / LAM

Contacter par courriel

Cliquez ici

Domaines

Présentation

Alessandro Jedlowski est anthropologue des médias et des migrations. Après un doctorat de recherche en études africaines à l’Université de Naples « L’Orientale », il a obtenu des bourses Marie Curie et FNRS pour conduire des recherches postdoctorales en Afrique (au Nigéria, en Côte d’Ivoire et en Ethiopie) et au sein de la diaspora africaine en Europe. Ses travaux récents se concentrent principalement sur l’analyse des industries des médias africains et sur les réseaux de circulation (culturelle, économique, marchande) qui relient l’Afrique et ses diasporas en Europe et dans les pays du Sud (l’Inde et la Chine en particulier).

 

Il coordonne actuellement la chaire «Diasporas Africaines». En savoir plus sur la chaire

Contacter par courriel

Utilisez le formulaire ci-dessous pour envoyer un courriel à Alessandro JEDLOWSKI

    Derniers travaux déposés sur HAL

    80 documents

    Articles dans une revue29 document

    • Alessandro Jedlowski. [Recension] Matthew Brown. Indirect Subjects: Nollywood’s Local Audiences. Journal of Cinema and Media Studies, 2024, 63 (2), pp.201-206. ⟨10.1353/cj.2024.a919204⟩. ⟨hal-05008375⟩
    • Alessandro Jedlowski. [Recension] Florence Brisset-Foucault, Talkative Polity : Radio Domination and Citizenship in Uganda. Africa, Rivista trimestrale di studi e ricerche, 2022, N.S. IV/1, pp.121-123. ⟨hal-05008429⟩
    • Alessandro Jedlowski. Chinese Television in Africa. Theory, Culture and Society, 2021, 38 (7-8), pp.233-250. ⟨10.1177/02632764211012033⟩. ⟨halshs-03610859⟩
    • Alessandro Jedlowski. Nella “terra dei morti viventi”: invenzione del passato e costruzione della nazione nei film “epici” di Nollywood. UZAK, Trimestrale online di cultura cinematografica, 2021, 40. ⟨halshs-03612516⟩
    • Alessandro Jedlowski. The Ziguéhi Movement and the Afterlives of Kung fu Films in Abidjan*. Ethnos, 2021, pp.1-23. ⟨10.1080/00141844.2021.1907432⟩. ⟨halshs-03612512⟩
    • Alessandro Jedlowski. Elezioni in Costa d’Avorio. Gli Asini , 2021, 82-83. ⟨halshs-03612518⟩
    • Alessandro Jedlowski. Les archives des présences africaines en France. Hommes et migrations, 2021, 1332, pp.226-229. ⟨10.4000/hommesmigrations.12363⟩. ⟨halshs-03612513⟩
    • Alessandro Jedlowski, Matthias de Groof. Congolese cinema today: Memories of the present in Kinshasa’s New Wave Cinema (2008-2018). Francofonia - Studi e ricerche sulle letterature di lingua francese, 2019. ⟨hal-02487011⟩
    • Alessandro Jedlowski. Afriques audiovisuelles : appréhender les transformations contemporaines au prisme du capitalisme global. Politique africaine, 2019, n°153 (1), pp.7. ⟨10.3917/polaf.153.0007⟩. ⟨hal-02486998⟩
    • Alessandro Jedlowski, Cacilda Rêgo. Latin American telenovelas and African screen media: from reception to production. Journal of African Cultural Studies, 2018, 31 (2), pp.135-150. ⟨10.1080/13696815.2018.1549829⟩. ⟨hal-02486992⟩
    • Alessandro Jedlowski. Moral Publics: Human Trafficking, Video Films and the Responsibility of the Postcolonial Subject. Visual Anthropology, 2018, 31 (3), pp.236-252. ⟨10.1080/08949468.2018.1445369⟩. ⟨hal-02486987⟩
    • Alessandro Jedlowski. African media and the corporate takeover: Video film circulation in the age of neoliberal transformations. African Affairs, 2017, 116 (465), pp.671-691. ⟨10.1093/afraf/adx017⟩. ⟨hal-02486971⟩
    • Alessandro Jedlowski. Post-imperial affinities and neoliberal convergences: discourses and practices of collaboration between the Nigerian and the Indian film industries. Media, Culture and Society, 2017, 40 (1), pp.23-40. ⟨10.1177/0163443717703794⟩. ⟨hal-02486985⟩
    • Alessandro Jedlowski, Ute Röschenthaler. China–Africa media interactions: media and popular culture between business and state intervention. Journal of African Cultural Studies, 2017, 29 (1), pp.1-10. ⟨10.1080/13696815.2016.1268953⟩. ⟨hal-02486988⟩
    • Alessandro Jedlowski, Michaël Thomas. Representing ‘otherness’ in African popular media: Chinese characters in Ethiopian video-films. Journal of African Cultural Studies, 2017, 29 (1), pp.63-80. ⟨10.1080/13696815.2016.1241704⟩. ⟨hal-02486989⟩
    • Alessandro Jedlowski. La révolution vidéo en Afrique subsaharienne. Nigéria, Ethiopie et Côte d'Ivoire. Sociétés politiques comparées, 2017. ⟨hal-02487013⟩
    • Alessandro Jedlowski. All for a Container! Return Migration, Transport Technologies, and Love Affairs. Transfers, 2016, 6 (2), pp.94-111. ⟨10.3167/TRANS.2016.060207⟩. ⟨hal-02486979⟩
    • Alessandro Jedlowski. Studying Media “from” the South: African Media Studies and Global Perspectives. Black camera‎ : the newsletter of the Black Film Center/Archives, 2016, 7 (2), pp.174. ⟨10.2979/blackcamera.7.2.174⟩. ⟨hal-02486965⟩
    • Alessandro Jedlowski. Migration, prostitution and the representation of the black female subject in Nigerian video films about Italy. Journal of Italian Cinema & Media Studies, 2016, 4 (1), pp.9-23. ⟨10.1386/jicms.4.1.9_1⟩. ⟨hal-02486994⟩
    • Alessandro Jedlowski. Screening Ethiopia: A preliminary study of the history and contemporary developments of film production in Ethiopia. Journal of African Cinemas, 2015, 7 (2), pp.169-185. ⟨10.1386/jac.7.2.169_1⟩. ⟨hal-02486976⟩
    • Alessandro Jedlowski, Patrick Oloko, Ute Röschenthaler, Ibrahima Wane. Across media: Mobility and transformation of cultural materials in the digital age. Journal of African Media Studies, 2015, 7 (1), pp.3-9. ⟨10.1386/jams.7.1.3_2⟩. ⟨hal-02487008⟩
    • Alessandro Jedlowski. Nigerian Videos in the Global Arena: The Postcolonial Exotic Revisited. The Global South, 2013, 7 (1), pp.157. ⟨10.2979/globalsouth.7.1.157⟩. ⟨hal-02486962⟩
    • Alessandro Jedlowski. Small Screen Cinema. Television and New Media, 2012, 13 (5), pp.431-446. ⟨10.1177/1527476412443089⟩. ⟨hal-02486897⟩
    • Alessandro Jedlowski. When the Nigerian video film industry became ‘Nollywood’: Naming, branding and the videos’ transnational mobility. Estudos Afro-Asiáticos, 2011. ⟨hal-02487014⟩
    • Alessandro Jedlowski. Suole di vento. Jean Rouch fra antropologia e cinema. Achab, Rivista di Antropologia, 2009. ⟨hal-02487016⟩
    • Alessandro Jedlowski. Violenza, teatro e resistenza. Un breve percorso attraverso l’opera di Dieudonné Niangouna. Africana studia, 2008. ⟨hal-02487019⟩
    • Alessandro Jedlowski. Constructing artworks: Issues of authorship and articulation around Seydou Keïta’s Photographs. Nordic Journal of African studies, 2008. ⟨hal-02487015⟩
    • Alessandro Jedlowski. Roots and Roads: L’afrocentrismo contemporaneo fra i neri della diaspora americana. Africana studia, 2006. ⟨hal-02487022⟩
    • Alessandro Jedlowski. Palabras combativas. Entre poética e identitad: la posicion de Kossi Efoui en el panorama postcolonial. Africana studia, 2005. ⟨hal-02487028⟩

    Communications dans un congrès17 document

    • Alessandro Jedlowski. When platforms fail: The promises of digital film distribution in Africa and their pitfalls. 9th Annual Lagos Studies Association Conference, University of Lagos, Jun 2025, Lagos, Nigeria. ⟨hal-05290693⟩
    • Alessandro Jedlowski. How to write about films: Interdisciplinary approaches. Workshop. 9th Annual Lagos Studies Association Conference, Jun 2025, Lagos, Nigeria. ⟨hal-05290785⟩
    • Alessandro Jedlowski. Between principles and praxis: Cultural brokers in China-Africa media relations. Africa-Asia Conference-Festival 3 : A New Axis of Knowledge, Dakar, 11-14 juin 2025, Université Cheikh Anta Diop (UCAD); Collective Africa-Southeast Asia Platform (CASAP); International Institute for Asian Studies (IIAS), Jun 2025, Dakar, Senegal. ⟨hal-05290663⟩
    • Alessandro Jedlowski. Oltre l'alienazione: Fanon e il cinema fra Africa e America Latina. Congreso Internacional Universidad de Valparaíso, 7-13 de abril 2025, Magíster en Cine y Artes Audiovisuales de la Universidad de Valparaíso; Doctorado en Estudios Interdisciplinarios sobre Pensamiento, Cultura y Sociedad – Universidad de Valparaíso; Facultad de Humanidades de la Universidad de Playa Ancha, Apr 2025, Valparaíso, Chile. ⟨hal-05290719⟩
    • Anthony Amicelle, Alessandro Jedlowski, Camille Traoré. Entre enracinement local et stratégies globales : les multiples facettes de l'engagement diasporique. Les Petits Séminaires de l'ADC « Politique étrangère et acteurs de l’intérieur : comment concevoir et articuler l’action diplomatique du MEAE dans un environnement multi-acteurs ? », Académie Diplomatique et Consulaire du Ministère de l'Europe et des Affaires Etrangères; Sciences Po Bordeaux, Feb 2025, Pessac, France. ⟨hal-05407330⟩
    • Alessandro Jedlowski. Voyez-vous la différence ? Télévision chinoise, souveraineté médiatique et imagination de la nation au Nigeria. Séminaire D2IA « Rayonnement et circulations », Laboratoire Dynamiques, Interactions et Interculturalité en Asie; Université de la Rochelle; Université Bordeaux Montaigne, Jan 2025, Bordeaux, France. ⟨hal-05407266⟩
    • Alessandro Jedlowski. Screen media, technological innovation and the state in Nigeria. SACOMM 2024 Conference. The Politics of the Present, South African Communications Association, Sep 2024, Stellenbosch, South Africa. ⟨hal-05005756⟩
    • Alessandro Jedlowski. Hidden in plain sight: YouTube and Nollywood’s reinvention of minor transnational practices. CEDITRAA Conference. Dis/Ordering Distribution. Infrastructures, Formats and Practices in the Circulation of Culture, CEDITRAA (Cultural Entrepreneurship and Digital Transformation in Africa and Asia); Goethe University, Apr 2024, Frankfurt, Germany. ⟨hal-05005764⟩
    • Alessandro Jedlowski. El archivo como frontera. Cinema y complicidad revolucionarias entre África e Italia en los años ’60 y ’70. Congreso Internacional Fronteras: Imágenes más allá del fin del mundo, 1-4 noviembre de 2023, Universidad Nacional de Tierra del Fuego, Nov 2023, Ushuaia, Argentina. ⟨hal-05005831⟩
    • Alessandro Jedlowski. Hidden in Plain Sight. YouTube and Nollywood’s Reinvention of Minor Transnational Practices. Séminaire d’ouverture du projet « IRN SOUTH-STREAM : A collective and critical approach of cultural platforms, digital players and policies in the global south, MSH Paris Nord; UMR Passages; LabEx ICCA (Industries culturelles et création artistique), Oct 2023, Paris, France. ⟨hal-05005833⟩
    • Alessandro Jedlowski. Umorismo, politica e imprenditoria del sé nei video YouTube dei giovani comici afrodiscendenti francesi. Seminari Immaginari di libertà e risonanza delle immagini. Tecnologie digitali, soggettività e politiche del quotidiano nella vita online della diaspora africana e oltre, Centro di Ricerca MODI dell’Università di Bologna, Jun 2023, Bologna, Italy. ⟨hal-05005836⟩
    • Alessandro Jedlowski. Humour et politique sur les chaines de Youtubeurs afro-descendants en France. 7e Rencontres des études africaines en France (REAF), Circulations dans les Afriques, Afriques en circulation, Toulouse, 28 juin-1er juillet 2022, GIS Études africaines en France, Jun 2022, Toulouse, France. ⟨hal-04952812⟩
    • Alessandro Jedlowski. Sovranità, media e innovazione tecnologica in Nigeria. IV Convegno Nazionale Società Scientifica Italiana di Sociologia, Cultura, Comunicazione. Qualcosa è cambiato? La trasformazione dei saperi, Dipartimento di Scienze Sociali - Università Federico II Napoli, Jun 2022, Napoli, Italy. ⟨hal-05010694⟩
    • Alessandro Jedlowski. Through Nollywood's Lens: African Cinema and Beyond. 6th Annual Lagos Studies Association Conference, Lagos Studies Association, Jun 2022, Lagos, Nigeria. ⟨hal-05010629⟩
    • Alessandro Jedlowski. The afterlives of Kung fu films in Abidjan. Séminar The Audience Project, Centre of Research in the Arts (Oxford Brookes University), Jun 2022, Oxford, United Kingdom. ⟨hal-05008452⟩
    • Alessandro Jedlowski. Serious laughs: Blackness, humour and social media in contemporary France. Colloque international Postcolonial Publics Art and Citizen Media in Europe, Università Ca' Foscari Venezia, May 2022, Venise, Italy. ⟨hal-05018067⟩
    • Alessandro Jedlowski. Présences chinoises sur les écrans africains. Séminaire Présences chinoises, EHESS, Mar 2022, Paris, France. ⟨hal-05010668⟩

    Ouvrages (y compris édition critique et traduction)7 document

    • Alessandro Jedlowski, Etienne Smith (Dir.). Les toiles du politique. Médias sociaux, activisme et entrepreneuriat des diasporas africaines. Karthala, 270 p., 2025, Coll. Les Afriques, 978-2-38409-270-3. ⟨hal-05510328⟩
    • Alessandro Jedlowski, Benjamin Rubbers (Dir.). Regimes of Responsibility in Africa: Genealogies, Rationalities and Conflicts. Berghahn Books, 2020. ⟨hal-02486959⟩
    • Alessandro Jedlowski, Michael W. Thomas, Aboneh Ashagrie (Dir.). Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. Michigan State University Press, 2018. ⟨hal-02487032⟩
    • Alessandro Jedlowski, Ute Röschenthaler (Dir.). Mobility between Africa, Asia and Latin America: Economic Networks and Cultural Interactions. Zed Books, 2017. ⟨hal-02487035⟩
    • Alessandro Jedlowski. Nollywood. L’industria video nigeriana e le sue diramazioni transnazionali. Liguori, 2016. ⟨hal-02490477⟩
    • Alessandro Jedlowski, Giovanna Santanera (Dir.). Lagos Calling. Nollywood e la reinvenzione del cinema in Africa. Aracne, 2015. ⟨hal-02487037⟩
    • Alessandro Jedlowski. Teatro, violenza e resistenza in Congo Brazzaville. Il percorso di Dieudonné Niangouna. Harmattan Italia, 2007. ⟨hal-02490478⟩

    Chapitres d'ouvrage24 document

    • Alessandro Jedlowski. Serious laughs: Blackness, humour and social media in contemporary France. Bolette B. Blaagaard; Sabrina Marchetti; Sandra Ponzanesi; Shaul Bassi. Postcolonial publics: Art and Citizen Media in Europe, 30, Cà Foscari University Pess, pp.112-130, 2023, Studi e ricerche, 978-88-6969-678-7. ⟨10.30687/978-88-6969-677-0⟩. ⟨hal-05005792⟩
    • Alessandro Jedlowski. Hidden in Plain Sight: YouTube and Nollywood's Reinvention of Minor Transnational Practices. Philippe Bouquillion, Christine Ithurbide, Tristan Mattelart. Digital Platforms and the Global South: Reconfiguring Power Relations in the Cultural Industries, Routledge, 2023. ⟨hal-04418107⟩
    • Alessandro Jedlowski. Una nuova corsa all’oro? L’intervento delle grandi compagnie internazionali nell’economia di Nollywood. Marco Cucco; Giuseppe Richeri. Le industrie del cinema: un confronto internazionale, Mimesis, 216 p., 2022, 9788857591865. ⟨hal-05007697⟩
    • Alessandro Jedlowski. "Don’t tell me you want to marry a white man!" : The Encounter with Euro-American Characters and Settings in African Commercial Cinema. Grace A Musila. The Routledge Handbook of African Popular Culture, Routledge, 498 p., 2022, 9780367532000. ⟨hal-05007693⟩
    • Alessandro Jedlowski. Living in Bondage, Part I (1992) and Part II (1993). DePaul Heike; Sarah Marak; Katrharina Gerund; Marius Henderso. Lexicon of Global Melodrama, Transcript Verlag, pp.203-208, 2022, 978-3-8376-5973-3. ⟨10.1515/9783839459737-048⟩. ⟨hal-05007702⟩
    • Alessandro Jedlowski. Media studies, globalization, and African realities. Mehita Iqani et Sarah Chiumbu. Media Studies: Decolonising Approaches, Oxford University Press, 2020. ⟨hal-02487043⟩
    • Alessandro Jedlowski. Toward new African languages of protest: African documentary films and human rights. Mette Hjort; Eva Jørholt. African Cinema and Human Rights, Indiana University Press, 2019. ⟨hal-02487048⟩
    • Alessandro Jedlowski, Katrien Pype. Anthropological Approaches to Media in Africa. Roy R. Grinker; Euclides F. Gonçalves; Christopher B. Steiner; Stephen Lubkemann. A Companion to the Anthropology of Africa, Wiley, pp.351-374, 2019. ⟨hal-02487279⟩
    • Alessandro Jedlowski. African Videoscapes: Southern Nigeria, Ethiopia and Côte d’Ivoire in Comparative Perspective. Kenneth Harrow; Carmela Garritano. Companion to African Cinema, Wiley, 2018. ⟨hal-02487286⟩
    • Alessandro Jedlowski. Violenza e critica sociale nei video nigeriani di Nollywood. Alessandro Suzzi Valli. Comunicare l'Africa. Un'ermeneutica attuale delle lingue e dei linguaggi della comunicazione sociale, Aracne, pp.351-380, 2018. ⟨hal-02487295⟩
    • Alessandro Jedlowski. Ethiopian Cinema and the Politics of Migration, at Home and abroad. Michael W. Thomas; Alessandro Jedlowski; Aboneh Ashagrie. Cine-Ethiopia: The History and Politics of Film in the Horn of Africa, Michigan State University Press, pp.161-180, 2018. ⟨hal-02487293⟩
    • Alessandro Jedlowski. Realism in Nollywood Films: The Materiality of Lagos and the Nigerian Video Film Industry. James Tar Tsaaior; Françoise Ugochukwu. Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration, Adonis and Abbey Publishers, 2017. ⟨hal-02487321⟩
    • Alessandro Jedlowski. Les transformations de la circulation de films vidéos nigérians en Côte d’Ivoire : Du commerce informel aux grandes sociétés internationales. Patricia Caillé et Claude Forest. Regarder des films en Afrique, Presses Universitaires du Septentrion, pp.259-274, 2017, ⟨10.4000/books.septentrion.17161⟩. ⟨hal-02487311⟩
    • Alessandro Jedlowski. Regulating mobility, reshaping accessibility: Nollywood and the piracy scapegoat. Ute Röschenthaler et Mamadou Diawara. Copyright Africa: How Intellectual Properties, Media and Markets Transform Immaterial Cultural Goods, Sean Kingston, 2016. ⟨hal-02487338⟩
    • Jean-Paul Colleyn, Alessandro Jedlowski, Giovanna Santanera. Nollywood, vetrina di Lagos, della Nigeria e dell’Africa contemporanea. Aracne editrice int. Lagos Calling. Nollywood e la reinvenzione del cinema in Africa, Aracne editrice int, 2015, 978-88-548-8850-0. ⟨halshs-01514338⟩
    • Alessandro Jedlowski. Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinema. Emma Bond, Guido Bonsaver et Federico Faloppa. Destination Italy: Representing Migration in Contemporary Media and Narrative, Peter Lang, 2015. ⟨hal-02487362⟩
    • Alessandro Jedlowski. Film marketing in Nollywood. Nolwenn Mingant, Cecilia Tirtaine et Joel Augros. Film Marketing Into the Twenty-First Century, Palgrave McMillan, 2015. ⟨hal-02487355⟩
    • Alessandro Jedlowski. Avenues of participation and strategies of control: Video film production and social mobility in Ethiopia and southern Nigeria. Miranda Banks, Vicky Mayer et Bridget Conor. Production Studies II, The Sequel. Cultural Studies of Global Media Industries, Routledge, 2015. ⟨hal-02487361⟩
    • Alessandro Jedlowski. The women behind the camera: Female entrepreneurship in the southern Nigerian video film industry. Ute Röschenthaler et Dorothea Schulz. Cultural Entrepreneurship in Africa, Routledge, 2015. ⟨hal-02487349⟩
    • Alessandro Jedlowski. Oltre la migrazione: Alla ricerca di un cinema popolare afroitaliano. Leonardo de Franceschi. L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano, Aracne, 2013. ⟨hal-02487372⟩
    • Alessandro Jedlowski. From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry. Matthias Krings et Onookome Okome. Global Nollywood: Transnational Dimensions of an African Video Film Industry, Indiana University Press, 2013. ⟨hal-02487370⟩
    • Alessandro Jedlowski. Exporting Nollywood: Nigerian video filmmaking in Europe. Petr Szczepanik et Patrick Vonderau. Behind the Screen: European Contributions to Production Studies, Palgrave McMillan, 2013. ⟨hal-02487366⟩
    • Alessandro Jedlowski. On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emergence of intercultural aesthetics. Cristina Lombardi-Diop et Caterina Romeo. Postcolonial Italy: Challenging National Homogeneity, Palgrave McMillan, 2012. ⟨hal-02487373⟩
    • Alessandro Jedlowski. Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in Italia. Vanessa Lanari, Fabbrizio Colombo et Stefano Gaiga. Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche, Cierre Edizioni, 2011. ⟨hal-02487382⟩

    Autres publications3 document

    • Françoise Ugochukwu, Alessandro Jedlowski, Charles Kingsley. [Podcast] Nollywood : la success story d’un cinéma populaire. 2024. ⟨hal-05005744⟩
    • Alessandro Jedlowski, Françoise Ugochukwu. Podcast. En quoi le cinéma nigérian est-il le reflet de la réalité sociale et économique du pays ?. 2024. ⟨hal-04949049⟩
    • Alessandro Jedlowski, Irène Bono. Communautés imaginées, imaginaires politiques : les industries culturelles africaines au prisme des transformations numériques. 2024, 54 p. ⟨hal-05005802⟩

    Documents récupérés de l'archive ouverte HAL logo

    • Rechercher un membre

    • Filtrer par aire géographique

    • Filtrer par domaine

    • Filtrer par fonction